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MIT OpenCourseWareMIT 24.213 Philosophy of Film, Fall 2004 (2004)

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Instructor: Prof. Irving Singer

This course is a seminar on the philosophical analysis of film art, with an emphasis on the ways in which it creates meaning through techniques that define a formal structure. There is a particular focus on aesthetic problems about appearance and reality, literary and visual effects, communication and alienation through film technology.

View the complete course: http://ocw.mit.edu/24-213F04



This movie is part of the collection: MIT OpenCourseWare

Producer: MIT OpenCourseWare
Audio/Visual: sound, color
Language: English
Keywords: Philosophy; seminar; analysis; film; art; meaning; formal structure; aesthetic; problems; appearance; reality; literary; visual effects; communication; alienation; technology; Beauty and the Beast; Welles; Orson; Citizen Kane; Allen; Woody; The Purple Rose of Cairo; Visconti; Luchino; Death in Venice; Renoir; Jean; The Rules of the Game; Hitchcock; Alfred; The 39 Steps; Lindstrom; Megahey; BBC Television; The Magnificent Ambersons; The Crime of Monsieur Lange; Le Roi d'Yveto

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Session 1 5.0 KB 
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287.2 MB 
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Session 2 6.6 KB 
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Session 4 87.7 MB 
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Session 3 6.7 KB 
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MIT24.213F04_meta.xml Metadata 1.6 KB 

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